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In ceremony of New York Magazine’s 50th anniversary, this account series, which will abide through October 2018, tells the belief abaft key moments that shaped the city’s culture.

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On a February night in 2004, some 6,000 of New York’s sparkliest angry out to fête the admission of a new celebrity: a 750-foot-tall, two-headed architectonics clad in adusk glass. Jon Stewart showed up. Cirque du Soleil aerialists writhed, Marc Anthony sashayed, and white-suited waiters broadcast mini-BLTs (bacon, lettuce, and truffle). A few guests seemed puzzled to acquisition themselves toasting a arcade mall, alike if it was a arcade mall–office building–condo tower–hotel–concert anteroom admixture lording it over Columbus Circle.

To Stephen Ross, the lanky, gravel-voiced real-estate mogul who founded Related Companies and shepherded the architectonics into existence, the aperture of the Time Warner Centermost was the absolution of a $1.7 billion gamble. Two decades in the making, the activity spanned four mayoral administrations; asperous a stock-market crash, a aloft recession, and the 9/11 attacks; and circuitous an army of architects, deal-makers, functionaries, and lawyers, not to acknowledgment the protesters who hoped to stop, or at atomic compress it. The Time Warner Centermost represents the fractional celebration of two adverse forces: big-money development and borough activism. The circuitous accelerated and adumbrated New York’s alteration into a high-end customer product. Aural that one architectonics rises a burghal of $10,000-per-night auberge rooms, $325 banquet menus, and $125,000-a-month rentals. Such administrative prices dramatize the city’s inequities, but the architectonics that some disdained as a fat cat’s exchange has accurate to be — for bigger or worse — the best affecting architectonics activity in New York. The twin-towered circuitous spawned the row of super-tall condos still bustling up forth the southern bend of Central Park. If New Yorkers abstruse to ride escalators in adjustment to buy a adorned shirt or absorb too abundant on cafeteria (as they now can at Brookfield Abode in Battery Esplanade City); if a cultural breadth became the ultimate choice advantage (as the Whitney Museum and the Shed accept captivated brokers at the Aerial Line and Hudson Yards); if abundant bottle walls came across-the-board aback into fashion, embodying the allure of high-rise Manhattan living; and if chefs accept become drivers of absolute acreage — all of that is because of the Time Warner Center, too.

At the aforementioned time, the building’s adventure alveolate a high-water mark for burghal activism. In the advance of its afflicted evolution and circuitous birth, adjacency naysayers afraid in there so connected that they abstruse to appearance the development rather than aloof opposing it. The Municipal Art Society, a sporadically affecting urban-design affiliation dating aback to the Progressive Era, calm with three abutting association boards, deployed lawyers, celebrities, and affectionate beat writers to abuse the activity for years. Afterwards the aboriginal attack to arrect a Columbus Amphitheater colossus failed, one of the gadflies acquired absolute power, an MAS affiliate was bankrupt to architectonics the complex, and advocates helped address the rules for the abutting go-around. Every development adventure additionally includes its unbuilt alternatives, and the Time Warner Center, with its air-conditioned ancestry and high-gloss prisms, and its street-width ablaze able-bodied amid the two towers, is an immense advance on what ability accept been.

The adventures of today’s Columbus Amphitheater begins on the day in 1954 aback annihilation crews showed up to abolish a block of 59th Street, demography with them hundreds of homes and aliment that Robert Moses had arbitrarily accursed as slums. In their place, he congenital the New York Coliseum, an ungainly slab of a assemblage centermost that accomplished from 58th to 60th. Moses accomplished a phenomenon of burghal renewal: He swept abroad a poor but anatomic adjacency and replaced it with acutely accustomed blight. The Coliseum did its job able-bodied abundant until 1986, aback the Javits Centermost opened, abrogation the never-beloved and now abundantly alone blob to breed over a capital that was added a anarchic cartage alliance than an absolute circle. At its nadir, in the backward ’80s and aboriginal ’90s, the western rim became a added or beneath abiding alone encampment. Anniversary Friday night, wives, girlfriends, children, and ancestors of convicts aggregate in advanced of the Coliseum to lath visitors’ buses for the all-night cruise to Attica. Drug dealers afraid out on the Central Esplanade side, and whenever a auction was consummated, abject off to backbone dime accoutrements out of the trees.

Ironically, it was the anticipation of abundance that kept the breadth dormant for so long. The Coliseum belonged to the MTA, which advised the acreage a abeyant bubbler of cash. In 1987, the bureau put out a alarm for proposals, its ambit afflicted to crop the accomplished amount and the better building. Amid the 13 developers who responded was Donald Trump, who proposed the world’s tallest tower, 137 belief high. Instead, the MTA gravitated to the client best acceptable to pay the most, best quickly, a affiliation formed by Boston Properties, founded by Daily News buyer Mort Zuckerman, and the bottomless-pocketed Salomon Brothers.

To the athirst alteration agency, architectonics was an afterthought. To Zuckerman, it was a adventitious to authenticate the calibration of his ambition. He bankrupt the acclaimed and baroque modernist Moshe Safdie, who took the all-inclusive and arresting armpit as an allurement to architectonics a abundance range. He proposed an absurd brace of peaks ascent up from asperous shelves, a architectonics whose abomination and antipathy for ambience instantly became a case abstraction in how not to do architectonics in New York. The Times’ analyzer Paul Goldberger wrote that the “gangling agreement of afraid angles” had angry the accomplished activity “from barnyard to pathetic.” (Safdie accursed back, accusing Goldberger of actuality a abettor for postmodernism.) The botheration lay not so abundant in the aesthetics as in the clotted, airless massing. In retrospect, aspects of the architectonics attending prescient. Afterwards skyscrapers — like CookFox’s Bank of America tower, Kohn Pedersen Fox’s Coach Belfry at Hudson Yards, and Fox & Fowle’s Reuters Architectonics in Times Aboveboard — took up Safdie’s bundles and facets. By abreast standards, his 900-footer would accept been a about accessory giant, hardly beneath than Christian de Portzamparc’s One57 and a bald splinter compared to the 1,550-foot Nordstrom Belfry now beneath architectonics on 57th Street. But in the mid-1980s, it seemed like a juggernaut — aloof and oppressive. The Municipal Art Society and the association boards accepted a shorter, bacteria building, one that would alluringly restore the through-block of 59th Artery that the Coliseum had erased, or at atomic a acceptable allocation of ablaze and air.

But money and backroom accept a argumentation of their own. With Ambassador Ed Koch’s blessing, the MTA agreed to advertise the Coliseum armpit to Zuckerman and Salomon Brothers for $455 actor (nearly $1 billion in today’s dollars). In February 1987, an cabalistic (and, as it afterwards angry out, unconstitutional) assembly of burghal dignitaries alleged the Lath of Appraisal captivated a chase agitation on a foregone conclusion. Joe Rose, the begat of a real-estate ancestors who led one of the association boards, still bristles at the way the developers’ lawyer, John Zuccotti, scoffed at adjacency and borough concerns. At that date of the architectonics process, abridgement the architectonics was out of the question, Zuccotti said, citation “technical” considerations.

“Name one, John,” Rose demanded. “He answered that mailboxes in the antechamber would accept to be reconfigured. Mailboxes!”

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MAS counterattacked both in the courts and in the press. Recognizing how boxy it was to acerbate up the association with allocution of massing, zoning, and alms bonuses, activists bolter for addition tool. Kent Barwick, then–MAS president, recalls a acquisition at the Fifth Avenue accommodation of Jacqueline Kennedy Onassis, breadth she looked out of the window and said, “They’re burglary our sky.” That was the bright and present annoyance that the MAS needed.

On a balmy Sunday that October, about 800 protesters, including Jackie, Bill Moyers, and Paul Newman, marched beyond Central Esplanade accustomed atramentous umbrellas to represent the adumbration that Safdie’s belfry would cast. New York had able their way (and helped arouse participants) with an apocalyptic awning story, “The Shadow,” by John Taylor, that opened: “By 5 p.m. in April, it will activate to becloud the slides and swings of the Heckscher Playground — darkening, too, of course, the accouchement arena there … In the base of December, aback the abridgement in accustomed ablaze has already put a allocation of the citizenry into metabolically induced depression, a amplitude of the esplanade about a mile connected … will be plunged into black a abounding half-hour afore dusk by the ample colossus.”

In the end, the adumbration had little to do with the outcome, admitting a accompaniment of timing fabricated it attending as admitting the awning beef dead the project. The abutting day, on Monday, October 19, the Dow absent added than 22 percent of its amount in a amount of hours — still the affliction distinct trading affair in stock-market history. Alike afore the crash, Salomon Brothers had started retrenching, and by aboriginal December, the close backed out of the deal, abrogation Zuckerman to go it alone. Four canicule later, a adjudicator sided with MAS’s altercation that the burghal had alone its own zoning rules, and he annulled the sale. Koch responded with a acute threat: “If the activity is not built, there will be beneath policemen, beneath sanitation workers, beneath agents and essentially beneath dollars for transit.”

Zuckerman approved to extricate himself from his banking and acknowledged problems by alteration architects. He accursed Safdie and replaced him with David Childs, the agilely unshowy brilliant of Skidmore, Owings & Merrill, who produced an overscale anamnesis of Art Deco New York. It didn’t help. With anniversary new version, and anniversary delay, the amount for the acreage fell, from $455 actor to $357 actor to $338 million. As protests and action wore on, MTA admiral watched the cash they had hoped for casting abroad in the breeze and Columbus Circle. In 1994, Zuckerman gave up, acceptance a nine-year adventure to end breadth it began: with a abortive carapace crabbed a abaft and black plaza

All the while, Stephen Ross, the arch of Related, was gazing covetously out of his west-facing appointment window at Madison Avenue and 58th Street. “I looked at the Coliseum all day,” he says. “I became fixated.”

The saga’s additional act was in abounding means a epitomize of the first. Already again, the MTA snuffled for cash, a developer had the central track, and borough groups howled at actuality larboard out. This time, though, there was a new sheriff in town. Rudolph Giuliani came assimilate the arena aloof as Zuckerman angled out, and he accepted afraid to accede an adjustment that afflicted such a aloft Manhattan site. In 1996, the burghal and the MTA launched a new competition, with hardly added bashful criteria: two towers, no taller than 59 stories, ascent from a belvedere that followed the ambit of Columbus Circle.

Big names flocked again. Nine development teams submitted proposals: Trump came back, this time with a big masonry block by Robert A.M. Stern and Costas Kondylis. Millennium Ally appropriate a big bottle slab by Gary Handel and James Polshek. And Ross’s Related Companies got into the game, peddling David Childs’s twin-towered Rockefeller Centermost redux. Again, critics and the accessible scrutinized angry assets and alluring renderings beneath the apparition that they were celebratory a challenge amid architects rather than antagonistic action amid moneymen. “You could put the Taj Mahal (from Agra, not Atlantic City) actuality and it would be absent in the blowzy bewilderment of chancy mediocrity that creates no abode and answers to no plan,” groused Ada Louise Huxtable in The Bank Artery Journal.

Once again, the architecture-blind MTA acclimatized on a adopted developer, Millennium Partners, which was acquisitive to buy the acreage and alpha construction, alike if there was a accusation pending. But the casting of characters had changed. As community-board chair, Joe Rose had stood accept to accept with the MAS adjoin Zuckerman’s arrogant plans; now, as arch of the Burghal Planning Commission, he had the mayor’s ear. On July 26, 1997, Rose was summoned to a Saturday-morning affair at the East Hampton home of Sandy Lindenbaum, the baron of real-estate lawyers. The MTA’s chiefs, including controlling administrator Marc Shaw and administrator Virgil Conway, would be there, afraid to get Giuliani’s sign-off. On the way to the meeting, Rose chock-full off to aces up coffee, doughnuts, and a Times — and saw a front-page adventure proclaiming that negotiations were finer over and that Millennium had agreed to buy the armpit for $300 million. The MTA and the developer had leaked the agreement to the press, acquisitive to beset Giuliani with a fait accompli. Aback Rose accustomed at Lindenbaum’s house, he connected the cardboard and aloft an eyebrow. “You don’t force Rudy’s duke like that,” Rose said. A few account later, his corpuscle fizz rang: It was Giuliani’s deputy, Randy Levine, calling to say that the ambassador was abolishment the deal.

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When Giuliani stepped in, he assured that an immense anatomy on a ample accessible armpit should additionally lath a aloft cultural basic — like, say, a added affectionate adjunct of the Metropolitan Opera, the mayor’s admired arts organization. Soon, he became assertive that a mini-Met could be alloyed with a home for the apprentice Applesauce at Lincoln Center, and he ordered developers to resubmit affairs with an auditorium. Ross acclimated the time efficiently. Acquisitive to ample the appointment amplitude and recruit an advance partner, he courted Richard Parsons, the CEO of Time Warner. “It’s not about appointment space; it’s about showcasing the better ball aggregation in the world,” Ross told him, bond adulation with argument. Parsons agreed to buy added than 1 actor aboveboard anxiety in one of the new architectonics and body studios for CNN.

Ross recalls that aback he entered the scrum for the Coliseum site, he acquainted his competitors were too timid, anytime acute to a real-estate bazaar still disturbing to appear from the aboriginal 1990s slump. “They were attractive at what the economics could allow at the time,” Ross recalls. “The absolute use they had in apperception was a assemblage centermost — hotel, with maybe some condos and rentals: actual pedestrian. I saw it as a world-class site.” Ross’s ambitions akin Giuliani’s: both envisioned Columbus Amphitheater as the hot amount of a advancing city, the array of calm abode breadth alike New Yorkers and visitors ability one day go to work, accept to music, accept dinner, get a massage, and shop, all beneath one roof. With Time Warner in his abridged and a newfound adulation for applesauce on his sleeve, Ross lobbied the burghal hard.

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On July 27, 1998, absolutely a year afterwards the East Hampton fiasco, he landed the abundant whale. Related paid $345 actor for the armpit — added than Millennium Ally would accept paid the antecedent summer, but abundant beneath than the sum that Zuckerman had promised a decade earlier. Now, Related aloof bare to appear up with a applicable architectonics for 2.5 actor aboveboard anxiety — and the money to body it.

Childs was appreciative of his plan to arm-twist the vanished block of 59th Artery by bulging it into the sky, blame afar the two architectonics by the amplitude of a burghal street. “David kept walking about the appointment with his fingers in a V to appearance the separation,” says T.J. Gottesdiener, now SOM’s managing partner. With anniversary alternating iteration, Childs simplified the design, assuredly distilling it to a brace of bright architectonics accumbent with the askew of Broadway and askance Manhattan’s boxlike grid. The bottle virtuoso James Carpenter acclimated attenuate animate cables to append an ultraclear bank — afresh the better of its affectionate — that seemed to float like a soap balloon amid the shops and the street. Its exoteric artlessness hid what Childs calls the “Chinese puzzle” within. SOM’s architects had to amount out how to get aliment to the restaurants, pianos to the call rooms, audiences to the auditorium, auberge guests to a sky antechamber check-in, CNN reporters to the newsroom, and shoppers to the aerial levels of a vertical mall, all afterwards asphyxiate credibility or cartage jams. The covering tenants all accepted arresting presences on the street. Gottesdiener recalls that negotiating amid bristles abstracted factions angry architectonics into a aggregate of shuttle address and ancestors therapy. Whenever the action stalled, Ross arbitrated. “Steve was Solomon,” Gottesdiener says.

Though all-embracing mixed-use complexes are adequately accepted in Asia, they are both attenuate and chancy in this country, breadth a aggregate of zoning restrictions, acreage costs, lending practices, and the real-estate bazaar favor added aboveboard divisions. To succeed, the Time Warner Center’s bread-and-butter anatomy would accept to blow on a foundation of shopping. In a burghal of sidewalk shoppers, a vertical capital looked like agnosticism — Trump Belfry provided a miniature archetype and Manhattan Capital a declining one; Ross and his partner, aloft restaurant buyer Kenneth Himmel absitively that the alone allurement able abundant to draw visitors up all of those escalators was food. They dreamed of destination restaurants that would about-face Columbus Amphitheater into a foodie mecca, and so Himmel went hunting for chefs.

At the top of his account was Thomas Keller, who had alone New York in the aboriginal 1990s and become a superstar with the Napa Valley crusade atom French Laundry. Ross and Himmel flew out to California for cafeteria and laid bottomward a aristocratic alike of incentives: a alluring Manhattan view, a adventitious for Keller to aces his neighbors, and all the start-up money he could use. Soon after, Keller visited the architectonics site, paced the wind-battered accurate slab, looked bottomward Central Esplanade South cutting eastward from his approaching dining allowance window, and said an agog yes!

Next, Himmel focused on the basement. Today, the admixture of development and high-end advantage seems obvious: Le District at Brookfield Abode and ever-more-deluxe Chelsea Bazaar at the Aerial Line allurement tenants with a choice aliment court. Aback then, though, Ross was afraid about tucking a bazaar underground, fearing rats and a déclassé clientele. Himmel insisted that Accomplished Foods admiral go on a admirable bout of European aliment temples like Fauchon and Harrods and acknowledgment with a plan for the country’s fanciest market. Aloof to accomplish sure, the charter gave Related final approval over the store’s design. Today, the Columbus Amphitheater Accomplished Foods sells about $100 actor account of advantage a year. Alike at midtown prices, that’s a lot of amoebic millet.

Related had agreed to acquisition allowance for a 1,000-seat amphitheater for Applesauce at Lincoln Center, but already architectonics got underway in earnest, the developer and the music-group arm fought over every detail. To Ross, every aboveboard bottom he gave abroad for chargeless cut into his calculations and added his risk. The developer and the nonprofit fought over location, loading docks, and covering placement. In retrospect, Ross ability accept relaxed. During the ’50s and ’60s, aback Lincoln Centermost was conceived, burghal leaders believed that ability bare its own acutely belted campus, set off from the adjacency jangle. Ensconcing a ample concert anteroom in a residential development would accept seemed absolute weird. Added afresh — partly acknowledgment to the acquaintance with Applesauce at Lincoln Centermost — developers accept abstruse to anticipate of cultural accessories as amenities. The Whitney has turbocharged the Aerial Line area, and the Apple Trade Centermost will eventually get its Ronald O. Perelman Performing Arts Center. At Hudson Yards, Ross is agilely acknowledging the Shed and acquisitive to absorb $200 actor on a sculptural bassinet of staircases to boilerplate advised by Thomas Heatherwick. Art pays.

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But in the 1990s, Applesauce at Lincoln Center, a start-up with a angular budget, was the David to Ross’s Goliath, armed with a few activating weapons. One was Wynton Marsalis, the organization’s deceptively amenable aesthetic director, who affected the moral altercation that America’s music bare a home of its own. The additional was Parsons, the Time Warner CEO, who admired applesauce and talked Ross out of stashing the anteroom in a basement or out back. And afresh there was Rafael Viñoly, one of the few architects with the ascendancy to go mano a mano with Childs. He ample out how to abstract the amphitheater acoustically, cushioning it with elastic dampers like a acute apparatus arranged in a aircraft crate. He additionally managed to amuse both Marsalis’s desires for the ultimate applesauce address and Giuliani’s demands for a anteroom that could lath opera, too. It was Viñoly who came up with the abstraction of tucking a added affectionate cabaret-style space, the Allen Allowance (recently redubbed the Appel Room) up adjoin the building’s bottle wall, so that an art anatomy built-in on the artery could now attending bottomward on it from above.

The auditorium’s costs ballooned from an aboriginal appraisal of about $40 actor to a final tab of $131 million. “When that befalling came along, it was a absolution and a curse,” Marsalis says. “We had to bound at it, but it would put amazing ache on us. We had no abstraction how tremendous.” At first, the job of alarming up that affluence fell to lath administrator and financier Ted Ammon. But in October 2001, in a artifice aberration that angry fundraising into a thriller, Ammon was bludgeoned to afterlife in his East Hampton home by his wife’s lover (and apparently by his wife, Generosa, admitting she died afore she could angle trial). The armchair anesthetized to the alone woman in this epic’s casting of characters: Lisa Schiff, who angry a affiliation with Marsalis into a adamant dollar-scooping machine. “People would see us advancing and run,” she recalls. Tempers ran so aerial and beddy-bye grew so deficient that on one occasion, Schiff and Marsalis begin themselves calm in a car on their way to a meeting, and aback accomplished that neither had any abstraction who they were activity to see.

They were not the alone ones scrounging. The appellation “real estate” sounds solid and sober, but there’s an abominable lot of baffle and fantasy forth the way to the ribbon-cutting. Convincing banks to action on Ross’s abstinent blueprint for a mixed-use circuitous appropriate him to do some appealing adorned hustling. In the deathwatch of the 2000 Nasdaq crash, he fabricated the circuit of all of the accepted lenders and begin them too alert and afflicted to help. Retail tenants were cat-and-mouse for the activity to be real, and bankers were cat-and-mouse for tenants. Somehow Ross assertive GMAC that added lenders were aggressive for a allotment of the deal, and the aggregation broadcast its apocryphal competitors by slapping $1.3 billion on the table — the better architectonics accommodation ever.

Six weeks later, terrorists brought bottomward the Apple Trade Center, authoritative the apple agnosticism whether anyone would appetite to alive or assignment in a high-rise anytime again. Over the summer, buyers had taken the aboriginal footfall in snapping up dozens of address apartments — or rather unenclosed patches of sky that would one day metamorphose into apartments. Afterwards 9/11, those barter scattered. “We had 70 affairs out at the end of August,” Ross says. “We didn’t get a distinct arrangement back.” Admitting it was too backward to arrest construction, Related shut bottomward its sales appointment and pulled the condos off the bazaar for a year. Disasters connected to action at a approved clip, including a brace of baleful architectonics accidents and a blaze that bankrupt out abreast the access to the applesauce anteroom in April 2003, a anniversary afore Passover. Lisa Schiff asked herself, “I said: What about the pestilence? Are we accepting that, too?”

Despite the bright admission in 2004, Time Warner Centermost absolutely opened in dribble steps. Two weeks afterwards Per Se opened, addition blaze destroyed the kitchen, and a anxious Keller had to be talked out of breaking his lease. Aback the restaurant reopened six months later, New York’s Adam Platt greeted it with a hardly apprehensive rave. It was, he wrote, “a academic California adaptation of what a capital New York restaurant should be.” The magazine’s then–architecture critic, Joseph Giovannini, was added dyspeptic. In a analysis larded with words like “uneasy,” “fussy,” and “disappointing,” Giovannini wrote that “sometime afterwards the conceptual stages, SOM suffered a abortion of absorption span” — a barbarous bash at a activity that Childs had formed on for about two decades.

Fourteen years afterwards its opening, the Time Warner Centermost is still riddled with compromises. Demography an elevator to a concert feels like a cold, accumulated commencement to an black of music. The shops accept the anywhere feel of an flush airport concourse. Restaurants about-face entering rather than abacus to the buzz. The condos accept helped accomplish New York a allurement for adopted plutocrats acquisitive to alchemize arguable fortunes into solid aboveboard footage. You ability see the Time Warner Centermost as the epicenter of the city’s overextension all-encompassing luxury.

And yet the architectonics has accurate both acknowledged and influential. Childs’s architectonics knitted calm midtown and the Aerial West Side, angry a abandoned Columbus Amphitheater into a destination, and ambulatory the southwest bend of Central Esplanade — all goals that the MAS and its ally did action for. It additionally helped about-face the city’s centermost of force westward, commutual a media aisle that runs from Times Aboveboard accomplished the Hearst Tower, to CNN. Alike “The Shadow” spends abundant of its time tucked, added or beneath inoffensively, abaft the Trump International Auberge and Tower. Unlike the hypertall and angular address architectonics it spawned, the Time Warner Centermost is consistently abounding of both visitors and New Yorkers, its activity spilling out into the street.

Perhaps the building’s longest-lasting bequest will be as a advertiser for Related’s alike added super-mega-giant development: Hudson Yards. There, instead of apparatus packing into a distinct container, they will advance out over an absolute aberrant neighborhood. Sometime abutting year, Time Warner, the company, will carelessness Columbus Amphitheater and backpack to Hudson Yards, which will avowal added of everything: shops, restaurants, and offices, additional a vaster plaza, a bigger cultural centermost (the Shed), Heatherwick’s outsize folly, and much, abundant added money at stake. Ross is no agnosticism planning an opening-night affair that will accomplish the aftermost one attending like a high-school dance.

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